Origins of the Hindu goddess Kali are believed by scholars to be lost in the pre-historical Dravidian tribal culture of India. Folklore tells of a dark female deity representing the powerful destructive and reproductive forces of nature. Over time, she has evolved into the Vedic warrior daughter of Durga and the disheveled 'Kali the Terrible' standing with tongue out over a prostrate Lord Shiva. To enlightened worshipers and devotees, Kali is a loving and protective mother. Her wrath is symbolic warfare against our inflated human egos and mistaken notions of self-importance that are a barrier to true spiritual growth or awareness. It is in this capacity that the energy of Kali and her mantra play an important role in the practice and rituals of Tantric Kriya Yoga today.
The much celebrated Durga and Kali Pujas of Bengal that are held in accordance with the lunar calendar around October/November coincide with Diwali and the worship of Lakshmi, Goddess of Wealth, throughout the rest of India. Elaborate pandals (temporary decorative scaffolding) serving as temples for beautifully crafted clay statues of the deities appear on almost every street. The stalls of flower vendors are heaped high with garlands of fresh flowers, Kali's favorite being the red hibiscus blossom as well as marigolds and chrysanthemums. At festival's end, the clay idols are taken in procession amid loud chants and drumbeats to the river and cast into the water, symbolizing the departure of the goddess to her respective home and husband.
Kali's home is the cremation ground, a place most of us would not like to visit. However her dwelling place represents the heart chakra. It is the fire of unconditional love burning in our hearts that purifies and transforms emotions such as anger, resentment, fear, jealousy, hatred, and so on. When viewed in this light and experienced through the mystery of the mandala, the cremation ground has a whole new meaning.
Nadean O'Brien, Huntington Beach, CA Member Since December 2006 Artist Statement I WAS BORN CREATIVE, but as a child showed little interest in drawing or painting. My parents who had met at an art gallery sustained hope I would follow in the footsteps of my talented aunt noted for her lovely landscapes. I, however, had other worlds to explore before discovering the beautiful and sensuous meditative art of Asia and Tibet as well as the work of Carl Jung who introduced the "personal mandala" to the western world. Here was art with power, passion and purpose, the art of self-realization and enlightenment, an art form that caught my imagination and gave my life focus almost two decades ago!
As I picked up my brush and began to paint, I became caught up in my own transformation to artist/healer and teacher, expressing this metamorphosis on canvas in Tibetan Tantric Buddhist symbolism depicting the sacred union of our inner masculine and feminine. The mystical "yab yum" (literally father mother) is often mistaken to represent human sexuality, but instead portrays graphically the inner wholeness or balance we must first achieve to realize our highest human potential. This ancient message is still relevant today.
More recently, fate and fortune have provided for expression of my particular talents and skills via digital painting rather than acrylic paint and canvas. With great joy and excitement, I watch a new generation of my unique mandalas evolving in a medium that is ideally suited by its added depth and dimension to spiritual art. I will continue to share my love and passion as before.
My artwork has been displayed at Mills College, Esalen, Agape International Spiritual Center in Los Angeles, and Chopra Centers throughout the United States as well as in private collections and corporate settings the world over.